The Lone Pine Series is designed to allow you to hear every detail that’s happening in your mix.
This starts with an exceptionally accurate frequency response. Whatever is present on your mix is what you’ll hear in these monitors. Nothing is boosted or suppressed to cover flaws or try to sound more pleasing.
With the LP-6, you can mix with more confidence, and you can also be assured that your mix will translate as best as possible to whatever systems your audience is using.
3-D Imaging Waveguide
The 3-D Imaging Waveguide allows you to hear a 3-D soundstage from a stereo pair of speakers. By matching the shape of the waveguide to the interactions of the HF and LF drivers, this waveguide produces a stereo image that is wider, taller, and deeper than the space where the speakers are placed.
The LP-6 accomplishes this by ensuring that the speaker’s reflected sound matches its direct sound. Every time you hear a loudspeaker, you’re hearing both the direct sound from the speaker, and reflections from the speaker’s signal bouncing off of objects in the room.
When those reflections are congruent with the direct sound from the speaker, listeners perceive a better sound overall, and are able to make out very subtle details like where microphones are placed in a room. When done very well, the stereo image will be three-dimensional.
This gives users a very high degree of confidence in their mix. It allows them to mix faster, and produce better mixes overall.
1.5″ Voice Coil
The voice coil on the LP-6 allows the speaker to have very high excursion, resulting in clearer sound with lower harmonic distortion, and exceptional dynamic range.
Low Noise Port Tube
On most port tubes, air leaves at different speeds from different points of the opening, creating noisy turbulence. This turbulence can be heard as “chuffing,” or an audible air sound coming from the monitor. This sound will add to the noise floor and obscure the details of the low end.
The port tube on LP-6 was designed to ensure that all of the air leaves the port tube at the same velocity. This helps add to the low end response of the speaker, while keeping the bass clean, tight, and devoid of extra noise.
With 85 dB continuous output at 2 meters (roughly 6 feet,) and 20 dB of headroom, the LP-6 is plenty loud for almost every 1 or 2 person listening space. This includes home studios, editing bays, and most control rooms.
Ample headroom ensures that even loud mixes with high dynamic range will come through clearly.
Bass on the LP-6 is delivered by a larger magnet and larger voice coil than any comparable speaker on the market. This gives you more accurate bass response that extends lower, so you can dial in exactly the low end sound you need.
Nothing is over-represented, but the bass that is present on your track will come through with clarity and punch.
A speaker’s given position in a space can drastically change it’s frequency response. Happily, most of the common positions are fairly predictable and easily corrected.
Kali’s team came up with boundary compensation EQ settings at the Village Recorder in Los Angeles to help you get the optimum sound for where you need to put your speakers. Combined with the LF and HF trims, this will ensure that the speakers sound their best no matter what room you’re mixing in.
There are EQ settings for:
Speakers on stands, against a wall
Speakers on a desk, away from a wall
Speakers on a desk, against a wall
Speakers on a console meter bridge
Speaker mounted to a wall
Class D Power
The integrated 40W + 40W Class D Power amp delivers clean, reliable power that’s optimized to this speaker.
The LP-6 features balanced XLR and TRS inputs, and an unbalanced RCA input.
The RCA input can be set to -10 dBu sensitivity when you’re using consumer devices like a laptop or smartphone’s headphone jack.